TV Producer & Director
Final Cut Pro and Avid provide full suites of colour correction tools, from waverforms monitors, vectorscopes to a variety of colour correction filters (FCP). The trick though is knowing how to use these tools effectively and to be able to understand colour in general.
Sometimes audio is too low to be as foreful as you’d like, even after you crank it up on Avid or Final Cut Pro with the audio level controls. Whether it is background noise or someones voice being a bit too low then there is always this quick fix solution which will boost your levels […]
One of the biggest questions in the post production field is whether to go with the tried and tested ‘Avid’ or take the ‘leap’ and choose Apples Final Cut Studio, I personally am experienced in both systems and don’t particularly mind what a client/ broadcaster chooses but in the recent months as I have become […]
The Views expressed here are my own personal views and not those of any current and/ or previous employer(s).